“Spiral” suffers from some pretty severe tonal problems too. Like most of the movie, the traps are more like contractual requirements, rarely creative in design or theme. One would have hoped that Rock and his collaborators would have at least come up with some clever devices to reboot the franchise, but a machine that rips off a man’s fingers, for example, feels like something a drunk came up with at a bar after catching up with the franchise on HBO Max. It turns out that Banks isn’t particularly well-liked in his own department because of some internal affairs issues of the past, and the killer this time decides to work his way through some of Zeke’s corrupt fellow officers, knocking them off in surprisingly uninspired ways.
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It doesn’t end well, traumatizing a poor subway train driver for sure.ĭetective Zeke Banks (Rock) and his new partner ( Max Minghella) get the case, quickly learning that there’s a Jigsaw copycat in their midst.
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He can literally pull himself free from the device, severing his tongue, but saving his life. He’s informed by a figure in a pig costume ("Pigsaw"?) that the train will be there in two minutes and turn him into mush. In this case, the man is basically hanging by his tongue on a subway track. He wakes up in a contraption obviously inspired by the now-deceased Jigsaw Killer, a man who liked to claim that he never actually murdered anyone, always giving them a way out of their predicament. A cop sees a man snatch a purse from a woman and chases him into a tunnel, where he’s quickly chloroformed. The Jigsaw Killer himself would probably like a word or two with these filmmakers, people who may have cribbed some of the pages of the franchise but never really understood the book. Interesting ideas are raised but unexplored, and even the traps are uninspired this time around. While it’s not hard to see what "Spiral" could have been, it's even easier to pick out where it failed to live up to that potential. Jackson came on-board, along with one of the directors from the original franchise, Darren Lynn Bousman, who helmed parts two through four. The premise of blending Rock’s comic sensibility, which is often brilliant, with the universe of inspired traps and conflicting morality sounded incredible on paper. The story goes that Chris Rock had an original idea with which to reboot the “ Saw” series, originally launched in 2004 by James Wan’s twisting thriller that influenced an industry, and Rock basically talked his way into the production's existence. “Spiral: From the Book of Saw” is more frustrating than the average mediocre horror sequel because you can easily decipher the wasted opportunity up there on the screen.
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